For anyone who’s worked in the industry, the (apparently shocking) revelation that case studies can be less than truthful is hardly news. Back in 2014, Rethink Communications even introduced the parodical Casey awards, celebrating categories such as Most Innovative Use of a Single Tweet, Most Impressive-Looking Numbers and Best Use of Agency Employees in Case Film.
So, it seems a bit hypocritical for the industry to suddenly point fingers at the fake cases and dodgy submissions we’ve all spent countless hours crafting. While I’m not defending outright lies, there’s a strong argument for case films being a testament to the storytelling abilities that makes the industry so powerful.
But here’s the real scandal: the problem isn’t fake case studies. It’s the sheer amount of creative energy spent on work designed for juries, not clients or even consumers.